Bibliography
Debarshi Arathar, Literature, Narrativity and Composition in the age of Artificial Intelligence, «Trans-», 2021, 27.
Bassett, Caroline. 2025. The Author, Poor Bastard: Writing, Creativity, AI. In The Routledge Handbook of AI and Literature. Edited by Will Slocombe and Genevieve Lively. New York and London: Routledge, pp. 19–26
Hannes Bajohr, Writing at a Distance: Notes on Authorship and Artificial Intelligence, «German Studies Review», 2024, 47, 2, pp. 90-107.
Bajohr, Hannes. 2024a. On Artificial and Post-Artificial Texts. Poetics Today 45: 331–61.
Nina Beguš, Artificial Humanities: A Fictional Perspective on Language in AI, Ann Arbor, University of Michigan Press, 2025.
Caramiaux, Baptiste, Kate Crawford, Q. Vera Liao, Gonzalo Ramos, and Jenny Williams. 2025. Generative AI and Creative Work: Narratives, Values, and Impacts. arXiv, arXiv:2502.03940. Available online: https://arxiv.org/abs/2502.03940v1
Constantina Raveca Buleu, Literary Works Generated by Artificial Intelligence. Methodology, Achievements, Dilemmas, «Dacoromania Litteraria», 2024, XI, pp. 90–107.
Italo Calvino, Cibernetica e fantasmi, in Italo Calvino, Una pietra sopra, Milano, Mondadori, 2023.
Colella, Silvana. 2025. “The Language of the Digital Air”: AI-Generated Literature and the Performance of Authorship. Humanities 14, no. 8: 164. https://doi.org/10.3390/h14080164
Melvin Chen, Take a Chance on Me: Aleatory Poetry, Generative AI, and the External Demarcation Problem, «The Journal of Aesthetics and Art Criticism», 2023, n. 81/4, pp. 508-524.
Michele Elam, Poetry Will Not Optimize: Creativity in the Age of AI, In Generative AI: Perspectives from Stanford HAI, Stanford, Stanford University, 2023.
Evron, Nir, and Roi Tartakovsky. 2024. The AI Revolution: Speculations on Authorship, Pedagogy, and the Future of the Profession. Poetics Today 45: 189–95.
Mirko Farina, Witold Pedrycz, Andrea Lavazza, Towards a mixed human-machine creativity, «Journal of Cultural Cognitive Science», 2024, n. 8, pp. 151-165.
Gefen, Alexandre. 2024. The Author’s Second Death. Poetics Today 45: 301–7.
Gefen, Alexandre. 2025. Generative Literature. In The World Through AI: Exploring Latent Spaces. Edited by Antonio Somaini. Paris: JBE Books.
Katy Ilonka Gero, Tao Long e Lydia B. Chilton, Social dynamics of AI support in creative writing, in Proceedings of the 2023 CHI conference on human factors in computing systems, New York, ACM, 2023.
Davin Heckman, A Portrait of the Artist as an Emergent Technology, «Revista de Comunicacao e Linguagens», 2023, 58, pp. 118-140.
Henrickson, Leah (2018). Tool vs. agent: attributing agency to natural language generation systems. Digital Creativity 29 (2-3) 182-190. https://doi.org/10.1080/14626268.2018.148292
Henrickson, Leah (2018). Computer-generated fiction in a literary lineage: breaking the hermeneutic contract. Logos 29 (2-3) 54-63.
Henrickson, Leah (2020). What natural language generation means for authorship and why we should care. In: Attention à la marche! Penser la littérature électronique en culture. Edited by Bertrand Gervais and Sophie Marcotte. Montréal, Canada: Les Presses de l’Écureuil.115-133.
Henrickson, Leah (2020). Authorship in computer-generated texts. Oxford research encyclopedia of literature. Edited by Paula Rabinowitz . Oxford, United Kingdom: Oxford University Press.1-21.https://doi.org/10.1093/acrefore/9780190201098.013.1226
Henrickson, Leah. Reading Computer-Generated Texts. of Elements in Publishing and Book Culture. Cambridge: Cambridge University Press, 2021.
Henrickson, Leah and Merono-Penuela, Albert (2022). The hermeneutics of computer-generated texts. Configurations 30 (2) 115-139. https://doi.org/10.1353/con.2022.0008
Henrickson, Leah, Wise, Beck, Kozlovski, Alina, Hewitt, Donna, Shearer, Julie, and Van Luyn, Ariella (2024). AI, writing, copyright and creativity. Australasian Association of Writing Programs, Armidale, NSW Australia, 27-29 November 2024.
Henrickson, Leah and Brooker, Sam (2025). Digital authoring, Reading, publishing: introduction. New Review of Hypermedia and Multimedia 31 (1-2) 1-6. https://doi.org/10.1080/13614568.2025.2466351
Henrickson, Leah. “Digital Textuality”. De Gruyter Handbook of Digital Cultures, edited by Grant Bollmer, Katherine Guinness and Yiğit Soncul, De Gruyter, 2025, pp. 17-22. https://doi.org/10.1515/9783111316857-003
Henrickson, L., Leppänen, L. Revisiting computer authorship: a longitudinal perspective. AI & Soc (2026). https://doi.org/10.1007/s00146-025-02783-z
Maurizio Lana, Artificial Intelligence Systems and Problems of the Concept of Author. Reflections on a Recent Book, «JLIS.it», 2022, 13 (2), pp. 13-44.
Maurizio Lana, Intelligenza artificiale e produzione di testi: una prospettiva storico-critica, «AIB Studi», 2022, 62, 1, pp. 169-196.
Beals, Kurt. 2024. What is an Artificial Author? Poetics Today 45: 243–50.
Hayot, Eric. 2024. Only Persons Intend. Poetics Today 45: 275–81.
Henrickson, Leah. 2024. Conversations with No One. Poetics Today 45: 291–99.
Lev Manovich, L’estetica dell’intelligenza artificiale. Modelli digitali e analitica culturale, Roma, Luca Sossella Editore, 2020, p. 28.
Lev Manovich, Emanuele Arielli, Artificial Aesthetics, 2024, https://manovich.net/index.php/projects/artificial-aesthetics
Simone Natale, Leah Henrickson, The Lovelace Effect: Perceptions of Creativity in Machines, «New Media & Society», 2022, n. 26/4, pp. 1909-1926.
Porter, Brian, and Edouard Machery. 2024. AI-generated poetry is indistinguishable from human-written poetry and is rated more favorably. Scientific Reports 14: 26133.
Tiziana Catarci, Agnese Macori, Daniel Raffini (eds.), Letteratura e intelligenza artificiale. Un dialogo interdisciplinare, Lithos, Roma, 2026, pp. 31-66.
Daniel Raffini, Estetica della letteratura e intelligenza artificiale, in Letteratura e intelligenza artificiale. Un dialogo interdisciplinare, a cura di T. Catarci, A. Macori e D. Raffini, Lithos, Roma, 2026, pp. 31-66.
Daniel Raffini, Tiziana Catarci, AI Writing Ethics, «Novecento Transnazionale», 10 (2026), pp. 108-116.
Daniel Raffini, Intelligenza artificiale e scrittura letteraria: lo spettro dell’autore e le nuove forme dell’autorialità, «Annali d’italianistica», 43 (2025), pp. 263-286.
Daniel Raffini, Authorship and Hallucination in AI-Generated Literary Texts, in Alessandra Micalizzi (ed.), Artificial creativity. Looking at the future of Digital culture, Springer, Cham, 2025, pp. 21-31.
Daniel Raffini, Reclaiming the Empirical: Artificial Intelligence and Literary Genres, «Comparatismi», (10) 2025, 125–141.
Daniel Raffini, La ridefinizione dell’autorialità nell’AI Novel, «Interartes», 3, dicembre 2023, pp. 1-13.
Will Slocome, Genevieve Lively (eds.), The Routledge Handbook of AI and Literature, London, Routledge, 2024.
Amy Spencer, Writing with Technologies: Reimagining the Author, in Alessandra Micalizzi (ed.), Artificial Creativity. Looking at the Future of Digital Culture, Cham, Springer, 2025.
Vlaad, Sofie. 2025. Texts without authors: Ascribing literary meaning in the case of AI. The Journal of Aesthetics and Art Criticism 83: 4–11. https://academic.oup.com/jaac/article/83/1/4/7964706
Dennis Yi Tenen, Literary Theory for Robots, W W Norton & Co Inc, 2024.
Jana, S., Goswami, A. (2026). Artificial Intelligence Redefined Authorship: An Unprecedented Evolution in the Field of Art and Literature. In: Awwad, B.S. (eds) Artificial Intelligence and Technology: Systems Management, Decisions and Control for Sustainability in the Digital Age. Studies in Systems, Decision and Control, vol 645. Springer, Cham. https://doi.org/10.1007/978-3-032-10016-0_27
Lee Jin Young, Kim Sung Do, The emergence of post-narrativity in the era of artificial intelligence: a non-anthropocentric perspective on the new ecology of narrative agency, «Semiotica», 2023, 253, pp. 117-154.
